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Monday, October 3, 2005

Tragic, but not

Periodically I come to the realization that the Twin Cities have some top-notch theater happening all over the metro area, and that I’m seeing almost none of it. It seems people my age just aren’t into the theater, unless it’s Wicked or Rent. We’d rather stand and look at the same people in the same bars, drinking the same drinks, listening to the same music, wearing the same clothes… You get my drift.

Yesterday, though, prompted by cheap tickets, I escaped the routine and saw Sophocles’ tragic Antigone at Jeune Lune, my favorite theater.

I have several friends who are experts in ancient history. They can discuss the political climate of 500 B.C., order McDonald’s in Latin, and draw a family tree of the Greek gods. (It has strange looking branches.)

I, on the other hand, don’t know Zeus from Oedipus. Last night was the first time I’d heard of Aeschylus, the third of the great Greek tragedians (along with Euripedes and Sophocles).

My ignorance didn’t prevent my joy, though, at Jeune Lune’s version of Antigone. Like the two other productions I’ve seen there, the theater manages to translate even ancient history into terms that are readily applicable to today. It seems that some things don’t change throughout the centuries — like the bullheadedness and narrow vision of national leaders, or questions of loyalty to God or to nation, to family or to leader.

With seven roles played by three people, the actors were busy and talented. (I still don’t get why Creon had a Russian-sounding accent, though.) The youth chorus, altered from the traditional choir of elders, was a little sloppy and lacking in male bass, but that was forgivable. They were, after all, but inexperienced youth.

As always, Jeune Lune did a great job of using their building’s natural space to create an environment well suited to the production. Exposed bricks, scaffolding, pebbles scattered in a circle center stage, fallen statues and various refuse intimated the fall of the city that preceded the plot.

But enough of this review-like crap. The point is this: Get off your butt and do something besides go to the Saloon, Boom, Jet Set or the Eagle. And take me with you.

Posted by Aaron on October 3, 2005 9:53 AM

Comments:

I LOVE Antigone. I read it a few times in High School and saw it done by the kids once and professionally once. It's just a damn good story. I, however, don't like when they attempt to modernize it, I think you can get all the "see this still happens today!" tones without the change of the language. It just takes a little more paying attention. I'm glad you had a good theater experience... most of them are good. And if anyone ever does Medea near you, take the time to see that. (It's similar with its woman struggles, like Antigone.)

Steven
October 4, 2005 9:04 AM

Sounds liks a GREAT event... where'd you score the cheap tix? that seems to be my problem lately...

Smitty
October 4, 2005 10:44 AM

I would recommend In the Heart of America playing at Macalester:

http://events.macalester.edu/arts/

NB: In the blurb, "Forge a relationship" means "fall in love" and "buddies" means "lovers". The author's imposition of platonic overtones on a romantic, sexual relationship is sad.

Two addtional storylines complicate the temporal and spatial boundaries of these "buddies'" relationship. The director, Beth Cleary also explores the boundaries between actors and the audience. Its a good production.

Haris
October 4, 2005 10:58 AM

I know how you feel...i love the theater too and wish more of my friends would join in

Ethan
October 4, 2005 2:30 PM

10 points to you Aaron. Some of the best and edgiest theatre is at the tiny venues and in non "professional" productions. Why should one spend $30-$60 for a Rent or Wicked when one can see several better locally produced shows for $5-$15 each...

DC
October 7, 2005 8:05 PM